Common Ground Concerts
At Irvington Town Hall Theater
Larry Campbell & Teresa Williams
Multi-instrumentalist, singer-songwriter Larry Campbell and singer-guitarist Teresa Williams’ acclaimed eponymous 2015 debut, released after seven years of playing in Levon Helm’s band – and frequent guesting with Phil Lesh, Little Feat, Jorma Kaukonen and Jack Casady, brought to the stage the crackling creative energy of a decades-long offstage union. A whirlwind of touring and promo followed, and when the dust cleared, the duo was ready to do it all again. Which brings us to Contraband Love, a riskier slice of Americana.
Larry, who produced Contraband Love, says, “I wanted this record to be a progression, bigger than the first one. That’s all I knew. I wanted the songwriting to be deeper, the arrangements more interesting, the performances more dynamic. Specifically how to get there, I didn’t know. I did know the songs were different. The subject matter was darker than anything else I’ve written.”
“More painful!” Teresa says, and laughs.
“Yeah,” Larry says with a smile. “I’m proud of our debut, but I felt like the songs were lighter than what I’m capable of doing. As a songwriter, I aspire to a sense of uniqueness: this is a great song and it could only have been written by me. I want to get there. It’s a journey, a goal, a pursuit. The mechanics of that pursuit are figuring out what you need to do to surpass your last body of work.”
Although it was not his conscious intent, three of the eight tunes Campbell penned for Contraband Love deal either obliquely or directly with various emotions surrounding addiction. For the blues rocking “Three Days in A Row,” he authoritatively delves into the crucial first seventy-two hours directly following an addict going cold turkey in an effort to get clean. “I was thinking about the things I’ve quit in my life,” he says. “The last time was cigarettes. I remembered the dreams I had in withdrawal.” Vintage-sounding country nugget “Save Me from Myself” (featuring Little Feat’s Bill Payne on piano) explores a troubled soul’s heartrending knowledge that they are hard to love. “I’ve certainly felt both sides of that situation,” Larry says, “and observed it many times.” Delicate waltz “Contraband Love,” a captivating vocal showcase for Teresa, takes on the other side of the story, when a parent (or spouse, or friend, etc.) realizes their only recourse for dealing with an addict is merely to stand “with arms wide open.” Of this remarkable piece, Larry says, “That melody would not leave me alone. It’s one of the more unique songs I’ve ever written.”
“Larry’s writing this stuff,” Teresa says, “and we’re naming off all the people in our lives who are currently going through this (addiction and loss) with a loved one, not to mention the family members and friends we’ve lost in the past from this affliction. That may have driven him. One of my oldest, most intimate friends – a functioning substance abuser since he was a teenager – died on the street in New York while we were in the studio. We dedicated the album to him.”
“The stuff of loss resonates,” Larry says.
Musically, Contraband Love revisits the Americana textures of the duo’s debut, deftly channeling Memphis, Chicago, the Delta, and Appalachia with equal assurance. Larry’s world-famous guitar work – scorching here, funky there, stellar always – punctuates the proceedings with riveting emotion, often like a third voice weighing in on a myriad of emotional states.
The barnburner leadoff single, “Hit and Run Driver,” is a harrowing-but-rocking survivor’s tale, showcasing longtime drummer and engineer/mixer Justin Guip.
To leaven out the darker tunes, Larry and Teresa added a recording of the reassuring Carl Perkins country classic “Turn Around,” with old friend and mentor Levon Helm, captured on drums shortly before his passing. Jaunty folk blues “My Sweetie Went Away,” features new bass player Jesse Murphy doubling on tuba for a distinctly New Orleans feel; traditional gutbucket country blues “Delta Slide,” is spiced with irresistible, harmonized yodeling.
“Stylistically, there’s a lot of different things going on,” Larry says. “So the sequencing was difficult. But I think I got it right.”
Indeed. Contraband Love stands as a new, bolder chapter in a story that arose triumphantly joyous from loss. “When Levon died,” Teresa says, “that put Larry into high gear. He’d already had his head set about making a record, but then it felt like a train took off! We just said, ‘life is short.’”
Another motivator for creating Contraband Love was the experience of taking the Larry Campbell and Teresa Williams show out on the road, as a duo, with a band, and opening for Jackson Browne (who loaned them his band). “It felt fabulous and fantastic,” Larry says. “After I met Teresa (in the mid 80s), I’d be out with Bob Dylan [Larry toured with the Nobel laureate for eight years] and something was missing. I gotta gig, and it’s what I always wanted, but it’s not my stuff, and it’s not with the person I want to be with. And then, when we got a taste of being a performing duo at the Rambles with Levon, the idea that we could expand on that was completely alluring.
“So virtually everything we’ve done musically since I left Dylan’s band, we’ve been asked to do together: Levon, Phil and Friends, Jorma and Jack, Little Feat; we’ve done it all as a unit, a duo, and it’s great. It’s rewarding on a lot of levels. The way I see it, when Teresa and I are together, doing our material for people who come to see us, then everything I ever wanted out of life is pretty well complete.”
Tickets: $25-$35 in advance, exclusively through Irvington cat town Town Hall Theater. On sale soon!
Common Ground Coffeehouse
@The First Unitarian Society of Westchester
Though each member of American/Swedish Night Tree originates from a different musical world, the six members have come together to a create a new sound that is unique to their instrumentation and musical voice, both attracting and bewildering enthusiastic crowds while connecting folk music lovers, café radio junkies, jazz enthusiasts, free-improvisers, and beyond.
As acoustic sextet Night Tree reaches their one year anniversary, Brian O’Donovan, Senior DJ at Boston’s own radio station, WGBH, calls them “One of the most exciting roots-based music groups to emerge from the New England Conservatory in many years. Their individual chops and adventurous approach make Night Tree a band to watch for.”
In September of 2016, six wildly diverse musicians came together unexpectedly within the walls of Boston’s New England Conservatory to form New Acoustic band, Night Tree. The group, all students at NEC, were named the Conservatory’s WildCard Honors Ensemble for 2016-2017. Awards for this title included a sponsorship from NEC, a headlining performance at the historic Jordan Hall, and a year of working with Winifred Horan, fiddler and co-founder of Irish super-band, SOLAS. Night Tree released their debut album on September 1st of 2017, produced by Séamus Egan, another founding member of SOLAS. Their album was ranked in the top 15 of every category in the compilation by Richard Gillmann from FOLKDJ-L playlists based on 12,417 airplays from 127 different DJs.
These six conservatory-trained musicians have absorbed genres from across the globe. Night Tree is unique, not only for its abnormal instrumentation of two fiddles, cello, accordion, saxophone, percussion, and the occasional viola and mandolin, but for their collective representation and incorporation of traditions from Irish, Classical, Swedish, Jazz, Klezmer, and Afro-Cuban music. Each artist’s personality is given a spot to emerge with fiery improvisation, individual compositions, and a pristine ear. The band thrives on playing in darkness as to allow themselves the opportunity to solely listen with the absence of any possible visual distractions. They react to each other at any given time, in a matter of seconds. They have learned to get inside each other’s musical minds, creating one blossoming and unpredictable wave of sound that is Night Tree.
FRONT ROW: $22 in advance, $25 at the door
GENERAL ADMISSION: $18 in advance, $20 at the door